Risky Business: Hiring an ArchitectUnless you know the pitfalls, choosing an architect can be a risky business.January 5, 2004 by David B. South Three things you should know about this article: 1)It's an opinion piece, but that opinion is based on forty years of construction and real estate experience. 2)It discusses issues and factors that are well-known within the construction industry but seldom, if ever, openly discussed. 3) It's not a condemnation of the architectural profession. While clients often see architects as a necessary evil, I don't. The reality is that architects are necessary. You cannot build anything without proper documentation, and that's exactly what architects provide. They very carefully draw the pictures and write the specifications that make everything work -- everything from the properly flushing toilet to the leak-proof roof. We also need the architect's talent and creativity. But as in any profession, there are the good, the bad and the ugly, or architects who are talented, honest and reliable and their opposites. It's avoiding those opposites that prompted this article. I'm convinced that most clients, particularly schools and churches, don't know what they need to know about architects and about the various contractual programs that may be available to them. To begin with, prospective clients often are not aware of how architects determine and earn their fees. Usually, architects make a percentage of the total cost of a project -- anywhere from six to ten percent. In such arrangements, they earn the most on the costliest buildings; Obviously, they do not financially benefit by saving their clients money. It's also a fact that in construction a slight change -- a slip of the pen -- can significantly increase costs. And the temptations don't end there. Sometimes construction companies or suppliers offer architects a kickback for using them or their products. The reverse is also true: Some architects actively seek kickbacks. In today's world, if the project is a structure -- big or small -- for pubic use, building codes in most U.S. areas require an architect. Such construction must carry an architectural stamp. Through it, the architect assumes responsibility for the structure's safety and proper functioning. So just how is the architect hired? Not by bid! Architects are often the only professionals involved in construction projects who are not required to bid the jobs. To complicate matters more, in many states you are prohibited by law from asking architects about their fees until after you have selected them. Design-Bid-BuildLet's say you're a school looking for an architect to design a new gymnasium. Typically and traditionally what you, as the client, get into is a Design-Bid-Build contract. In the construction industry, there are Project Delivery Methods -- contractual programs the client enters into in order to get something built. Design-Bid-Build is one such Project Delivery Method. Here's what occurs: Through local newspapers and letters to architectural firms, you communicate your need. Architects respond by showing up with their portfolios. Then, what the construction community calls a Beauty Contest begins. Architects show drawings and/or visual presentations of their work. You, the client, are expected to select your designer based almost solely on past performance. In essence, you are expected to view the drawings, find the one that looks the closest to what you want, and make your decision. Of course, some variables often enter into this process. The architect may be a local living in your town, or a professional who has done business with the school district for years, or a friend of an administrator or school board member. But regardless of the variables, typically the Beauty Contest -- like a kind of dance -- goes on until the selection is made. With that over, fee negotiations begin. Up to that point, you financially owe the architect nothing. So if you cannot come to a fee agreement, you can kill the process and start over. But keep in mind that this is a time-consuming procedure. Starting over will be time-costly. Consequently, it's best to generously allot time at the start of your search. Once you have chosen your designer and agreed on the fee, the architectural firm presents contracts it wrote that favor it for your signature. The designing process then begins, followed by the actual construction, which will probably take at least nine months. During that time, you will be dealing with the one architect assigned to your project. Your building becomes that designer's baby -- regardless of the architectural firm's size. Obviously, it's essential that you and your architect agree on what you want, what it will do and what it will cost. Architects carry responsibility for more than the design, blueprints and specifications. They review bids and hire other professionals, such as general construction, heating/air conditioning, structural engineering, electrical layout, etc. Large architectural firms may have some of those disciplines in-house, but smaller ones do not. These subcontracted pros are paid by the architectural firm out of the percentage fee it earns. Once the selection of subcontractors is completed but before the actual construction begins, architects receive the bulk of their fees. From then on, they play a more minor role by inspecting the project and communicating with the client once every two or three weeks. Typically, that is Design-Bid-Build. It's called that because the design process comes first. That makes the architect an important and powerful person, who selects the bidders -- the second part of the Design-Bid-Build process. Only after design and bid are completed does build commence. Design-Bid-Build -- the old standby when it comes to Project Delivery Methods -- has an inherent fault. It immediately sets-up an adversarial relationship between the architect and the general contractor. Here's a common scenario: The architect forgets to write down a specific, that could be as simple as a bathroom doorknob. The contractor claims this as an extra that the architect or the client, but not the contractor, is financially responsible for. Moreover, it necessitates writing up and following through on a Change Order. Suddenly, the client has an architect and a contractor who are mad at each other and the forgotten doorknob -- ordinarily an inexpensive item -- costing many times more than it should. General contractors usually want to build as inexpensively as they can. When they find anything left out, they argue about it, and the client gets caught in the middle. It's usually not possible for the client to research the relationship between a designer and a builder in advance. In Design-Bid-Build, the architect must choose the contractor with the lowest bid, so neither architect nor client really have a choice. Mitigating Design-Bid-BuildIn many areas, schools have no alternative. By law, they must go with Design-Bid-Build. Fortunately there are actions the school can take to mitigate this process and reduce some of the risk. For the most part, these actions are common sense stuff, but they do take time:
Feasibility Studies are a fairly recent development, and some architects don't like doing them because they don't bring in the big bucks. But the architect should be willing to do that much work for a reasonable fee -- especially for a client, such as a school, that needs design approval from a group or a community. Such a client might order a Feasibility Study from two or three architects so a comparison could be made. For its projects, the federal government often does just that. Design-BuildDesign-Build is a newer Project Delivery Method whose popularity is growing, especially with the federal government. The feds like Design-Build because it attracts more professionals, talent and ideas and usually gets them a better building for less money. Design-Build uses a team, consisting of a designer and a builder, who, ideally, focus on common goals and take advantage of each other's expertise. Theoretically, here's how Design-Build works: The client puts out two sets of specifications, one for architects and one for constructors. Each set contains the appropriate, detailed criteria for each discipline. Based on these specs, an architect and a builder form a team and together submit a bid. This process usually generates many bids, one of which the client chooses. The winning bid becomes the client's Design-Build team. But the client signs a contract with just one of the disciplines, usually the builder, who then carries the bulk of the responsibility for the project. Clients pay the builder the agreed upon fees, usually a set amount rather than a percentage, and the builder pays the architect and all others. Design-Build lessens the client's burden of hiring and dealing with several professionals. Design-Build is available to privately owned properties such as churches, and in some areas, it's now available to publicly owned entities such as schools, but it works a little differently for each. Privately owned properties, with their specifications in mind, often contact a builder -- usually someone they know -- directly. That builder agrees to a Design-Build contract, hires an architect and all other professionals, oversees their work, and makes sure the project gets completed as planned. Publicly owned properties, on the other hand, usually must follow state laws and not negotiate directly with a designer or a builder. So a school district, for example, must hire an architect or an engineer just to write the project specifications that are then put out for bid. Architects and builders team up and bid. The spec-writing architect or engineer reviews the incoming bids and, as specified by state law, hires the Design-Build team that submitted the lowest one. Some architects do not like Design-Build. By law, those who do the spec-writing cannot bid the actual job so they are automatically excluded from making the big fee. Then too, the architect becomes the builder's hired hand, often limited to designing rough perimeters, while other bidders supply the architectural features. For publicly owned properties, Design-Build works well if the original specifications are rather broad. For example, specifications that allow a structure to be brick, or steel, or concrete attract far more bids than specifications that limit the building to just brick, or just steel, or just concrete. The limiting ones automatically exclude many would-be bidders. Then too, in many cases, automatically awarding the contract to the lowest bidder is not the best idea. People in the construction industry know that low bidders often are not good builders. They get the job because they follow the letter of the law in the bidding process and submit a low bid. They then look for every which way in which to surreptitiously cut their costs. Construction ManagementConstruction Management is another fairly recent Project Delivery Method. It includes a Construction Manager -- an individual, hired by the client for a set fee, who oversees and manages each phase of the construction so that the client's goals, expectations and budget limits are met. With the client's interest foremost in mind, a Construction Manager operates as a liaison between the client, the designer and the builder. If a dispute develops between designer and builder, the Construction Manager often helps settle the matter. Construction Managers can be contracted to hire all the other disciplines, or they can be contracted to oversee the progress of a Design-Build or a Design-Bid-Build project. Most architects like the Construction Management method because they can still be the architect -- the designer -- and be listened to as such. Tradition Versus TechnologyTradition is nice and it has its place, but it's technology that makes buildings safer and more economical than they ever were. Architects must keep up with construction practices and technologies. Designers who do not study and evaluate new technology cannot be honest with their clients. This is the way it has always been done is not a good reason to perpetuate old methods and ideas. Practicing architects must constantly evaluate what they have learned. They must remember that teachers at architectural schools often do not know about innovations. Many operate on knowledge they learned when they were in school. In 1986, I talked with the head of a moderate-size architectural firm about using CAD systems for drawing blue prints. This professional made it very clear that he didn't think CAD drafting would ever "amount to a hill of beans." Unfortunately, he was not alone. The construction world had to literally force many architects to learn CAD drafting or to hire people to do it for them. The value of CAD drafted plans was simply too significant to ignore. CADs are more accurate, more inclusive and allow better communication between the client, the builder and the architect. Many new materials and new construction techniques are like CAD -- too important to ignore. In short, I believe every client deserves an architect who knows the new technologies and uses them. Related Links:
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